Simple recording setup

Onomatopoeic

Learning Storage Performance
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May 24, 2002
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Tannin said:
I want to record some hard drives.

I have an Athlon running Win 2000 with a Sound Blaster Vibra 128 in it, and figure that should be ample unto the task.

I used to have a pair of stage/studio quality low-impedence microphones: a Shure SM57 and an Audio Technica.

But I'm not sure if they are the right sort of microphone to use with a sound card anyway.

Software. Is the stuff that comes with a Sound Blaster good enough? Or should I get something else?

I don't particularly want to spend any money on this project, but will if I have to.

Well Tannin, I must've missed this topic during one of my recent hiatuses, but anyway...

First of all, it's VERY good that you have a pair of decent microphones -- the Shure SM57 (a general all-around dynamic microphone, but primarily a heavy duty instrument and vocal microphone) will be enough for the job. A good condensor microphone would be a bit better since they can pickup more nuances and high frequencies, but a SM57 should be able to record just about all the audible noise of a hard drive.

The least expensive way to interface your balanced / low-impedance microphones to your high-impedance / unbalanced sound card is to buy a commonly-available transformer (cost is about US$15) that will plug into your low-impedance microphone cable -- which will also convert your XLR connector to a 1/4-inch male RCA tip+sleeve connector. From this you will need a 1/4-inch female RCA - to - male mini connector convertor so that you can plug this all into your soundcard.

The bad thing here is that the Creative SB-128, like ALL of their soundcards, has fairly poor noise floor characteristics. Getting a low noise original sound file (WAV) will be a very important first step in producing a final product, as the second step will be to dynamically compress the audio signal to listenable levels (narrow dynamic range). I believe the cheapest software capable of audio compression (and other important features such as frequency band equalising) will be Goldwave, which goes for US$40 downloaded, at:

http://www.goldwave.com/

I don't personally use Goldwave, instead I use Sonic Foundry Sound Forge (about $300) for such chores, but I know Goldwave comes close to what you can do with Sound Forge for a fraction of the price and dynamic compression is certainly one of the things you can do with Goldwave. There is a "cheap" version of Sound Forge for about US$70.

By the way, my soundcard has low-impedance inputs and outputs -- bunches of them! -- so, no need to convert anything for me.


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Sol

Storage is cool
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Cardiff (Wales)
Actually I think there is a "Free" version of soundforge for about 30 days or so, can't see the job taking longer than that.
You should be able to get it here
 

Onomatopoeic

Learning Storage Performance
Joined
May 24, 2002
Messages
226
Location
LaLaLand
Cliptin said:
Bang Pow Zoom Bam Clank

Is this the sound your hard drive makes? :eek:

No, those are just onomatopoecisms which are remotely related to stomasonics.


NEXT QUESTION!



 

Onomatopoeic

Learning Storage Performance
Joined
May 24, 2002
Messages
226
Location
LaLaLand
Sol said:
Actually I think there is a "Free" version of soundforge for about 30 days or so, can't see the job taking longer than that.
You should be able to get it here

There was a Sound Forge "SE" that was around for a while -- may even still be -- that you could buy at various music stores for US$10 or US$20 on just a CD-ROM (no book). I never saw this for sale except at music stores (guitars, keyboards, drums, etc). It wouldn't accept the various pricey Sonic Foundry plug-ins, but it did all the basics. Sound Forge XP was around then as well.




 
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