e_dawg
Storage Freak
Nice pic. Tough to handle the dynamic range of a subject backlit against the sky, but you managed to use it creatively.
Nice pic. Tough to handle the dynamic range of a subject backlit against the sky, but you managed to use it creatively.
IMO, the pic was worth the day. But, of course, the photograper is always wanting more.
I would be content (if I were the photographer) for a week.
Right in the middle of an HDR pano, an exposure set output RAW files with resolution of 3485x2348 instead of the usual 4272x2856. The pano was a total of 33 shots (11x3) and only one set of three right in the middle was smaller. WTF? Any ideas?
Right in the middle of an HDR pano, an exposure set output RAW files with resolution of 3485x2348 instead of the usual 4272x2856. The pano was a total of 33 shots (11x3) and only one set of three right in the middle was smaller. WTF? Any ideas?
Your camera is possessed. Send it to me at once so I can exorcise it. Time is of the essence; delay at your own peril. I will return it when it is safe to do so. Be sure to include any lenses, accesories, or media cards that may have come into contact with it.
I shaved a row of pixels off the top and bottom of mine to make it 1600x1200 per the rules.Why did mine resize to 1600x1202? No idea, ask Photoshop.
Look at the differences in the grills on the top of the A/C units.I think Stereodude did better with the diagonals, and I did better with the rocks. I think the diagonals are more important.
IMHO, you went a bit overboard on the contrast. I'm not saying it looks bad, it just looks significantly different than the original.
Oh, and I was just kidding about the Hassy MF. I don't have that kind of scratch lying around...
I was working on my 15.4" 1680x1050 laptop LCD while on vacation.1. Open in Photoshop CS3
2. Image size...
3. Change size and resample with "Bicubic Sharper (best for reduction)"
4. Save
Nothing else was done.
I don't know what you mean by stacked, but the images are obviously sharpened and some NR is applied. Of course that may be fine for printing, etc. I prefer to start resampling with unsharpened or just slightly sharpened images. However, I don't care much about downsampling in general. The subtle differences visible on screen don't show in 4x or 5x prints.
Anyone seen this or know how to fix it?
I don't see that option here.
The real important issue here is why don't my colors match?
This is the same sRGB file loading in PS and in IrfanView. The best I can tell PS changes the colors it is displaying perhaps due to a monitor calibration file, or perhaps bypassing a monitor calibration file?
Anyone seen this or know how to fix it?
What you say works in theory except that sRGB is the default color space for Windows and all applications that don't support other color spaces.IrfanView does not support colour management or ICC/ICM profiles. Therefore, it does not read your sRGB file as sRGB.
To get PhotoShop to match IrfanView's colours, simply remove the sRGB profile from your image by going to Edit > Assign Profile > Don't Color Manage This Document.
The image in Photoshop should now match the image in IrfanView. To go back, just select the previous state in your History palette.
What you say works in theory except that sRGB is the default color space for Windows and all applications that don't support other color spaces.
Edit: I was able to get them to match by changing the ICM profile for my monitor (In Windows settings) from the one created by the Pantone Eye One to standard sRGB one with Windows.
I'm not sure that's what's happening. It seems like Photoshop thinks the ICM profile assigned to the monitor is not a sRGB correction but instead tries to compensate for it being a different color space.Okay, so I guess what is happening is that because IrfanView is not colour management aware and does not support ICC/ICM profiles, it is not making use of your monitor's profile whereas Photoshop is. So the difference is your monitor's profile being used vs not used.
I can also get them to match by changing the RGB Working Space in Photoshop to the one created with the Pantone Eye One and telling PS not to manage the color in the files when I open them.
This solution though creates a big problem though if you open anything in PS that's not a sRGB file.