Skip to end of my post for actual on topic relevant info. (trying to break ddrueding’s unofficial longest post on SF rating
)
Do we really need to veiw pornm in higher definitivision?
Oh, yes, yes....yes!
That's it, right there...more, more, harder, harder
Man, some porn is not meant for hi-def...
I have a five year old Toshiba 52" TV that suits me fine now but I am lusting over the Aquos range of LCD's.
Examples please
. Hmm, jessica alba on a 108in Samsung LCD...
2k 1080p is just not enough to capture her lusciousness---I want 8k, who needs pr0n?
Sometimes it's awesome, too.
Obviously no one wants to watch "Backdoor Cheerleaders XVIII" in HD, but if you get an actual cinematographer and a director with some idea of how to actually shoot (e.g. Andrew Blake or Joone or Micheal Ninn), it's just as breathtaking as everything else in HD...
Hm. This is me knowing way too much about porn again.
(so is ‘Pirates’ in HD any good Merc, you’ve seen this one?…”breathtaking”…umm, I want UHDV drool worthiness, tongue wagging on the floor excitement, so real you want to lick the screen damn it!)
Umm, I hate to tell you this Merc, but there is a whole world of pervs out there on the internet who'd love to watch BC18 in HD, just like all those people who watched “jackass- the movie”.
http://www.iht.com/articles/2007/01/22/business/porn.php In pornography, high definition could be a view too real
"The biggest problem is razor burn," said Stormy Daniels, an actress, writer and director. Daniels is also a skeptic. "I'm not 100 percent sure why anyone would want to see their porn in HD."
The technology's advocates counter that high definition, by making things clearer and crisper, lets viewers feel as close to the action as possible. "It puts you in the room," said the director known as Robby D"
What does Ms. Daniels mean by '
razor burn', lol?
"The images are so clear that Jane's breast implants, from an operation six years ago, can be seen bulging oddly on screen. "I'm having my breasts redone because of HD," she said...Price said. "People just want to see what's real." She is allowing them to do so, mostly. She had laser treatments to diminish tiny purple veins on her thighs that weren't visible to viewers before.
"You can see things you cannot see with the naked eye," said Robbie D. "You see skin blemishes; you see cottage cheese."
"But some cellulite is not necessarily a bad thing," he added. "It's kind of sexy."
Cellulite is kind of sexy??? ewww...see what I mean about BC15.
I take it Merc is already familiar with Cytherea's (do a search for free video shorts of Cytherea & squirting, lol, and you'll see what I mean) G-spot 'talents' which could so well be depicted in HD...D'oh. Not to mention how lovely a drunken Lindsay Lohan would look in HD, or another 'talented' actress like Kate Beckinsale, hmmm, would be fun milking that one
...she's so awesome, :crap:.
http://hollywood.outsidethebeltway.com/2006/06/kate-beckinsale-squirts-breast-milk-video-photos/
For Merc. all this week the local SF Valley newspaper is running a 6 part series on the So. Cal. 'pr0n beltway'?
http://lang.dailynews.com/socal/editorial/inter/x_valley/xxx_valley_1.html
Sharp's 4k x 2k 64-inch ultra high res monitor
http://www.engadget.com/2007/01/15/sharps-4k-x-2k-64-inch-ultra-high-res-monitor/
Actually, I can't wait for 4k res super HD, and then maybe before we all die, 32MP 8k res Ultra HD. See, there is a need for multi-terabyte drives after all ;-), as UHD in uncompressed form (for the initial capture at least) needs ~3GB/s data rate, which nothing less than a high-end server could handle at present (I guess 4Gb/s FC in multiport/channel configuration?).
http://www.dailytech.com/NHK+Demonstrates+Ultra+HD+Signal+16+Times+Better+Than+HDTV/article7466.htm
"Super Hi-Vision cameras, recorders, encoders and projectors are under development and the introduction of a new Ultra HD standard is planned for 2009. NHK estimates that satellite transmission tests will begin in 2011, and by 2020, Ultra HD will be ready for broadcast to households."
. Yeah, so right now, we have limited HD of questionable quality in 720p, 1080i, or 1080p that suffers from bandwidth limitations or poor quality compression codec's, such that we get artifacts & motion problems, not only from the limitations of the view screen tech, but source/players of such data. 4k projection in very limited # of movie theaters is the best of HD at the moment. Chi-Meo had early this year, 'announced' a 56in 4k LCD, which would need 2 sets of cables and 2 GPU cards at present to drive it just like the recently out of production 22in 4k IBM monitors (a single Matrox 256MB GPU card was/still being made to drive these 4k 22in monitors-http://en.wikipedia.org/wiki/WQUXGA), but it's like so many SSD's MIA. And for anyone who claims 1080p is too much for any 42in screen or smaller, why do medical images need 4k 22in screens then....because there's a higher level of detail; I have yet to see a 1080p 2k res. TV/monitor where there wasn't some kind of lack of sharpness/detail, motion artifact/jagged lines, etc, that higher data rates/lower compression as well as higher resolution would not improve upon, current HD consumer level tech is to my mind quite poor quality, really more like 'medium' resolution, not close to 'high-definition' ...kind of like comparing a low quality image from a compact digicam with that of a Hasselblad 33MP digital image.
http://en.wikipedia.org/wiki/UHDV
"Once stabilizing ferroelectric materials is accomplished it would be able to store 1024 hours of uncompressed UHDV and 24,064 hours of H.264/AVC/VC-1 compressed UHDV"
There you go Merc, just wait a decade or so and you'll be able to store all the UHDV pr0n to your heart's content.
http://www.pr.com/press-release/40885
"Forza Silicon Announces High Definition CMOS Imaging Technology
Company’s Technology Adopted by Japan Broadcasting Company NHK in HDTV Trials"
http://www.kensei-news.com/product_news/publish/technology/article_43633.shtml
" Ultra HD broadcasting consumes a tremendous amount of bandwidth - 18 minutes of uncompressed footage consumes 3.5 terabytes of data and one minute of uncompressed footage consumes 194 gigabytes. The use of ATEME’s MPEG-4 AVC compression technology dramatically reduces the bandwidth requirements while maintaining the best quality."
According to
www.HDforindies.com, the Red One 4k camcorder has a proprietary 4k compression for recording @~27MB/s (a data rate which would work for current HD-DVD/Blu-Ray if they could hold enough ...which is why Sony's BR (listening Merc?) format is better because it will scale to 7 layer 200GB discs).
http://web.forret.com/tools/megapixel_chart.asp
Red camcorder resolution
http://web.forret.com/tools/megapixel.asp?title=Red+One+(4K)&width=4520&height=2540
4k res. computer monitor
http://web.forret.com/tools/megapixel.asp?title=WQUXGA+(Widescreen)&width=3840&height=2400
8k res. WHUXGA (but not 60fps as in the NHK version UHDV)
http://web.forret.com/tools/megapixel.asp?title=WHUXGA+(Widescreen)&width=7680&height=4800
DCI (Digital Cinema Initiative, standards body for theatre projection) 4k res.
http://web.forret.com/tools/megapixel.asp?title=DCI+Digital+Cinema+4K&width=4096&height=2160
HD pr0n so far, had been shot with really low-end cheap palmcorder camcorders (don't know about the supposed, read the link above, $1mil 'Pirates' production costs, did they rent a true 2k res. procamcorder and use quality lens?) like JVC's 1st single chip CMOS 720p camcorder that cost just $3,000. And just this last year we had a slightly better, pixel interpolated 1080i Panasonic palmcorder 200HGX $5k. But new this year are lower cost 2k pro-level & the 'holy grail' Red 4k camcorder @$30k
http://www.storagesearch.com/news2007-march4.html
Since SED & OLED are MIA for the near term, I'd wait for LED backlit LCD screens. I hate projection TV's even if they cost less, as they have terribly poor uniformity in screen lighting, as well as poor angle of viewing, worse than plasma or lcd. Saw Beyoncé performing onstage on a RPTV, think it was around 72in, wow, what a butt, baby’s got back, sometimes a small screen is better
.
3rd tier LCD can be a good deal, if you are willing to sacrifice some maximum performance, as many of them are not the greatest. Actually there are way too many poor quality LCD's from both top tier and lower tier LCD manufacturers, than there are what I would call acceptable.
Philips has announced they will be shipping their 'Ambilight LED backlit LCD's (though MSRP is quite the top of the line type at present, prices to quickly fall once other’s like Sharp/Samsung announce there competing products), and by next year you'd expect to see LED backlit (again, slightly lower overall performance) at near current old tech LCD pricing.
http://www.electronichouse.com/arti...ersary_with_1080p_leds_and_larger_screen/C157
"The new 42-, 47- and 52-inch Ambilight sets have gotten a bump in refresh rate to 120 Hz for better motion reproduction."
I haven't seen this high-end Panasonic (note that 'Hdguru' and his site/blog is kind of thought of as a shill on this forum link by many...do a search) 50in plasma in the Best Buy 'Magnolia' section of my local BB's yet, but then BB's are always poorly setup to the point of being almost useless as a guide (same could be said for CostCo or Fry's, except that at CC they have all of the screens under bright warehouse lighting which can give you a better ideal of how some perform in less than ideal, super dark rooms that other places display them in). The thing with CostCo, is that you can return the screen and get a newer model when they come out, if you don't like the one your purchase now (90day money back guarantee, though I've never tried this, YMMV). The Sony LCD's I've seen are better at rendering colors accurately (not over saturated, even when trying to adjust with manual controls), and seem to have greater capability to get shadow/highlights/tonal gradations in comparison to Sharp, but that's a personal preference....look before you buy.
http://www.avsforum.com/avs-vb/showthread.php?t=840923
The problem I find is that the ~18Mbit/sec max for an HD channel in the USA is insufficient for fast moving scenes. Lightning/disco scenes etc, they can breakup easily.
Not sure what specs the Aussie HD standard has, I'm assuming they went with what the Europeans chose?
Got to go to HD-DVD or Blu-Ray to avoid it.
Current HD optical disks, given a poor quality
players/playback system, can exhibit the same flaws; you won't necessarily avoid it.
Terrestrial broadcast HD in NA uses 8VSB modulation w/~19Mbps rate. Cable uses a different modulation scheme. These can account for motion, scene 'breakup' but then any number of factors can contribute to that along the supply chain, quality/codec of source recording camera, transmission source, distribution systems, playback system, screen (motion artifacts can be result of slow pixel, res. up/down conversion circuitry, response in some screens),. OTA transmissions are definitely subject to signal strength variations/inteference unless you're across the street from the transmitter tower. At on Best Buy, their 50+ screens running off of a single line amp, just simply froze after the picture started to have pixel blocking breakup/slow down in the higher motion parts of an image.
http://en.wikipedia.org/wiki/8VSB
Well, that sounds like bullshit to me. I'd be more worried about the LCD's fluro backlight changing color.
42" seems too small to bother with 1080p. Is it a small room?
If 22in is not too small for medical resolution 4k screens, 42in surely isn't. Give me a 8k res screen for my 17in laptop please.
Get an LED backlit LCD if you're worried about longer term fluoro color changes.